Date: 19 May
Time: 20:00
Location: Bilkent Concert Hall
Performers: Müge Hendekli (piano), Amy Salsgiver (percussion), Cem Önertürk (flute)
Literature has inspired some of composers’ most poignant creations, whether by providing programmatic shape, imagery, rhythmic and sonic material or pure inspiration. This collaborative project celebrates literature as the muse for music, recalling pre-classical Ancient Greece’s concept of Mousike (Art of the Muses) which contained both word and sound. Central to our programme is the evocative Oneiroi by young UK composer Charlotte Bray, inspired by descriptions of these figures thought to have populated dreams in Ancient Greece. Neal Farwell’s ‘Shroud’ deconstructs texts of George Mackay Brown, and rearranges them into pure sound. Onur Türkmen’s Hat explores commonality between music and literature in the shape of calligraphy and the notion of line and abstraction common to both music and that ancient art form,while Michael Ellison’s Ariadne’s Thread weaves a labyrinth of subtle paths through the piano and percussion’s registral terrain. Two new commissions, one to Mert Kocadayı, and one to UK composer Benedict Todd, reveal young Turkish and UK composers’ responses to each’s poetic literature—on Shakespeare, Can Yücel and Ahmet Hamdi Tanpıinar, respectively.
Programme:
Benedict Todd – Yeşil Gece Müziği (after C. Yücel/Ahmet H. Tanpınar)*
Charlotte Bray – Oneiroi **
Frederic Rzewski — To the Earth (on a Homeric hymn)
Mert Kocadayı – The Cubical Domes (after David Gascoyne)*
George Crumb – Madrigals, Book II (on a text of Lorca)
Onur Türkmen – Hat for piano and percussion**
Neal Farwell – Shroud (with electronics)**
Michael Ellison – Ariadne’s Thread
*World Premiere , commissioned by Hezarfen Ensemble
**Turkey premiere